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Large Ensemble

Ksana I - for full orchestra, dur. 10 min.
Premier: May 21, 2014, Dresden, Germany – Dresden Philharmonie

Quixotic
(2009, revised 2010) – for an ensemble of 13 players, dur. 10 min.
Premier: June 23, 2009, Ottawa - L’Orchestre de la Francophonie Canadienne
Performance: August 19, 2010 - Domain Forget - Nouvel Ensmble Moderne
Performance: May 13, 2011 - New Waves Festival - Esprit Chamber Orchestra

Orison (2007) – for an ensemble of 15 players, dur. 9 min.
Premier: October 17, 2008, Montreal - McGill Contemporary Music Ensemble
Chamber

Horizontal and Vertical Forces II (2017) - for percussion quartet and localized electronics, dur. 15 min.
- commissioned by Architect Percussion

Premier: February 19, 2017, Montreal, Canada - Architek Percussion


A Manual of Qualities (2016)
- for piano and soprano voice with miscellaneous percussion, dur. 15 min.
- commissioned by the Hayley / Laufer Duo

On the Sensations of Tone II (2016) for Octet and electronics
- commissioned by New Music Concerts Toronto

Premier: April 3, 2016, Toronto, Canada - New Music Concerts Toronto

On the Sensations of Tone I (2015) - for Pierrot ensemble, dur. 12. min.
- commissioned by the Turning Point Ensemble

Premier: October 7 and 8, 2015, Vancouver, Canada - Turning Point Ensemble

Un/divided (2015) - for Alto voice, Septet and Live-electronics, dur. 20 min.
- commissioned by Ensemble Experimental

Premier: October 3, 2015, SWR EXPERIMENTAL Studio, Freiburg, Germany - Ensemble EXPERIMENTAL

Ksana II -
for 15 instruments, dur. 12 min.
- commissioned by Ensemble Contemporaine de Montreal
Premier: November 6, 2014 – Banff, Canada - Ensemble Contemporaine de Montréal (ECM+)

Observing the Ph(r)ase (2013) -
for octet, dur. 8 min.
- commissioned by Ensemble Recherche
Premier: September 21, 2013 Morat Insitute, Freiburg, Germany

Bardo (2011) -
for voices (tenor and bass), Oboe and Cello, dur. 8 min.
- commissioned by Le Fondation Royaumont, Voix Nouvelles
Premier: September 24, 2011 Abbaye de Royaumont, France - Ensemble Recherche and Le Cris de Paris

...this chain... (2011)
- Percussion Solo and instrumental sextet with electronics, dur. 13 min.
- commissioned by the Rubbing Stone Ensemble
Premier: April 21, 2011, Calgary - Aiyun Huang and the Rubbing Stone Ensemble

I am Dotted Silver Threads... (2010)
- String Quartet, dur. 7 min.
- commisioned by the Lakeshore Chamber Music Society
Premier: November 5, 2010, Montréal - New Orford String Quartet

Re:Pose (2010) - Two Pianos, Percussion, and Electronics, dur. 14 min.
- commissioned by Toca Loca

Premier: March 3, 2010, Montréal - Toca Loca Ensemble

trois esquisse sur une pose (2009) -
Piano, Flute, Saxophone, Percussion and Live Electronics, dur. 7 min.
Premier: July 6, 2009, Paris - Ensemble Cairn

…then time killed the wind…
(2008) - Percussion Quartet and Electronics, dur. 15 min.
Premier: November 27, 2009, Montreal - McGill Percussion Ensemble
Performance: June 4, 2010, New York - Stony Brook Contemporary Chamber Players

Natspontawa (2006) – oboe, cello, accordion, horn, and piano, dur. 8 min.
Premier: February 26, 2009, Montreal - McGill Contemporary Music Ensemble

Interleaved
(2004) – violin and cello, dur. 11 min.
Premier: January 26, 2003, Calgary - UofC Contemporary Music Ensemble
Reading: April 2004, Calgary - Land’s End Chamber Ensemble

Whether
(2002) – cello and piano. dur. 4 min.
Premier: December 2003, Calgary - Anthony Tan: Piano, Amanda Anderson, Cello
Solo

Pose IV: in situ (2016) for solo percussion and electronics, dur. 20 min.
- commissioned by Noam Bierstone

Premier: May 25, 2016, Montréal Canada

Pose III - Integration Ritual
for solo alto saxophone, mono sound source and electronics, dur. 8 min.
Premier: June 17, 2015, Montreal - Ida Toninato, alto saxophone

Pose II - On the Shadows of Ideas - for piano and electronics, dur. 14 min.
- commissioned by the SWR Experimental Studio

Premier: October 12, 2013, Matrix ’13, SWR EXPERIMENTALSTUDIO, Freiburg, Germany -Julia DenBoer, Piano

Pose I - between the sadness –
Soprano and electronics, dur. 8 min.
Premier: May 16, 2011, Montreal - Dory Hayley, Soprano

Unravel (2009) –
Violin, ondes martenot samples and live electronics, dur. 6 min.
- commissioned by New Works Calgary
Premier: January 26, 2009, Calgary - Rubbing Stone Ensemble - Donovan Seidle, Violin
Performance: August 20, 2009, Montreal - International Computer Music Conference. Emily Westell: violin

Jeux d’ombres (2008) – Cello, live electronics and dancer, dur, 8 min.
Premier: April 6, 2008, Montreal - Erika Donald, Cello. Melina Stinson, Choreography/Dance
Performance: May, 2008, Montreal - Erika Donald, Cello, Melina Stinson, Choreography/Dance
Performance: November 20, 2008, Hamburg - Ensemble Moderne Academie, Christophe Mathias, Cello

Omnibus (2006) – Fender Rhodes, Roland JX3P synthesizer, Piano, and Stereo Soundfile for solo performer, dur. 8 min.
Premier: April, 2006, Calgary - Rosza Centre - Anthony Tan - Keyboards.

Cantos Instrument Demonstrations (2006) - Variable keyboard Instruments, dur. 20 min.

Morning Chorus (2005) – French Horn, dur. 6 min.
Premier: August 2005, Kanaskis Country - CMC New Music in New Places, John Fischer, Horn

Paths to Your Door (2005) – Piano, dur. 10 min.
Premier: April 17, 2006, Calgary - Anthony Tan, Piano
Acousmatic/Electronic

Horizontal and Vertical Forces (2014) 2-channel file, dur. 10 min.
Premier: July 4, 2014, Dresden, Germany

Verschmelzung Studie (2013)
- 2-channel file, dur. 12 min.
Premier: October 7 2013, Hochschule fur Musik Carl Maria von Weber, Dresden, Germany

PreVue / ReVue / Residue (2011) -
stereo sound-file, dur. 8 min.
Premier: April 14, 2011 - Live@CIRMMT - Clavisphere

Emoto (2007) - Controlled improvisation for two percussionists and live processing, dur. 8min.
Premier: April, 2007, Montreal - Tanna Schulich Hall, McGill University.

The Birds (2006) - stereo sound-file, dur. 8 min.
Premier: January, 2006, Calgary

Recycle (2005) - stereo sound-file, dur. 4 min.
Premier: January, 2006, Calgary

Prelude and Postlude (2004) - stereo sound-file, dur. 6 min.

Intransition (2004) - 8 channel, dur. 7 min.

Arcade Visions (2003) - stereo sound-file, dur. 4 min.
Premier: Novemeber, 2004, Calgary

Stasis (2002) - piano and Buchla 200 synthesizer, dur. 7 min.
Premier: Novemeber, 2003, Calgary

Electroacoustic Cycle # 2 (2002) - Tension and Release, stereo sound-file, dur. 8 min.

Electroacoustic Cycle #1 (2001) - Voices, Momentary Silence, Abstract Infinity, stereo sound file, dur. 10 min.
Music for Dance

HOOP! (2010) - electroacoustic - Director: Marites Carino, Choreographer: Rebecca Halls. dur. 4 min.
- commisioned from Bravo!FACT dance movies commission.

Somnolence (2009) – electroacoustic – Choreographer: Jennifer Mahood
Premier: April 23-24, 2009, Calgary - University Theatre

Pi.R.Squared (2007) – electroacoustic – Choreographer: Rebecca Halls
Premier: November, 2007, Montreal - Tangente Inc.

Systemantics (2007) – electroacoustic – Choreographers: Jennifer Mahood, Naomi Brand
Premier: April 2007, Calgary

Six.Seks.Sechs.Sitta.Zes (2006) – electroacoustic – Choreography: Jean Freebury of Merce Cunningham Company.
Premier: August 2006, New York City - Merce Cuningham Studio

Project in Perspective (2006) – electroacousticChoreographers: Jen Mahood, Melina Stinson, EKO Dance
Premier: April 2006, Calgary - Art Central

Winter V (2005) – electroacoustic - Choreographer: Jean Freebury of Merce Cunningham Company
Premier: August 2005, New York City - Merce Cuningham Studio

Reveler (2004) – electroacoustic - Choreographer: Elisa Houk. University of Calgary
Premier: February 2005, University of Calgary New Music Festival, Calgary.